Since we are
moving into Disability Studies and Crip Theory this week, I thought it would be
interesting to investigate an intersection between Disability Studies and Queer
Studies, and the ways in which they relate to trans struggles. In Critical
Theory II, I have been working extensively with Foucault and his chapters Power
and Truth, The Birth of the Asylum, The Condemned Body, Docile Bodies, and The
Means of Correct Training in relation to mental illness and confinement. Foucault’s
ideas extend to the creation and justification of the social sciences,
particularly psychology and psychiatry, through the establishment of mental
illness. All of these theories came together and were put to a face when I
attended Kris Grey’s MFA performance show The Body Dialectic Friday evening,
appropriately presented in the Ridges Auditorium. The show was organized around
three plaster casts Grey has made of their (I will use a gender-neutral
pronoun, which is considered grammatically incorrect despite similar efforts
from the GLBTQ and linguistic communities) own body after beginning to
transition in 2009. The day after Grey starting taking Testosterone (T), the
first cast was made. One year later, on the day before Grey’s top surgery, the
next cast was taken – breasts clutched desperately. The third cast shows the drastic
changes Grey’s body has undergone due to the T – weight loss, gain in muscle
mass, and successful top surgery.
One of the most
significant points of Grey’s show was the detriment the DSM-5 causes trans
individuals who decide to begin hormone therapy and/or surgery since they must
face “the choice between the stigma of
mental illness and sexual deviance and losing access to hormonal and surgical
procedures” (Winters and Ehrbar 131). These labels, as with any mental illness
diagnosis that is recorded in order to receive “treatment,” loom over the
individual’s head throughout their lifetime affecting their chances at health
care (as Grey points out, the diagnosis can be argued to be a pre-existing
condition), employment, and so on. Accepting the label of mentally ill in order
to undergo surgery and hormone treatment can pose other harmful side effects. My
friend Lucas, a FTM, has been ordered by the Canadian government to have a
hysterectomy before they will change the F to M on his legal documents. Here is
an example of what Foucault calls bio-power, the regulation and normalization
of the corporeal body by the state apparatus.
Similar to resistance posed by the Deaf
community, many trans individuals do not want to simply “pass over” to the
“other side,” and for good reason: first, this reinforces a dual binary system,
and second, the clean cross over works as assimilation, erasing the trans
identity for a more normalized and acceptable one. There are countless trans
folks who do not care to peg themselves down to one identity label. Grey, for
example, still considers themself female despite also considering themself
male, while enjoying masculine identity as well. Thus, identifying as gender
queer provides Grey with a safe and overarching umbrella term to stand under. As
McRuer points out, “yes, queer theory and disability studies have come together
in incredibly generative ways over the past few years, but that academic fact
should not lead us to discount the more widespread cultural fact that our
normalizing moment (like all normalizing moments) depends on identifying and
containing – on disciplining – disability. It also depends – paradoxically,
give how much a version of queerness is supposedly on display – on containing,
on disciplining, queerness” (588). Diagnoses and identity labels function to
make the incoherent more intelligible, and that is a problem to be sure. For, as Winters and Ehrbar assert, “it
is time for diagnostic reform, because difference is not disease; identity is
not disorder” (137). (A quick reminder here that until 1973, homosexuality was also included in the DSM as a mental disorder.) How can we move beyond these harmful diagnoses and
categories when the governing state apparatus, the sciences, and the social
sciences rely on them to exert and maintain power over our own bodies?
The Body Dialectic makes me think of McRuer’s discussion
about photographic rhetoric and the ways it can be “deployed in
counterhegemonic fashion” (590). At the close of the performance, Grey recounts
a rift at an airport security checkpoint; when the officer requests more ID (as
the F on Grey’s passport did not match their outward appearance), Grey responds
by removing their clothing, left standing naked: “is this enough ID for you?” How
might The Body Dialectic and similar art achieve, or
fail to achieve these counterhegemonic goals?
Works Cited
McRuer, Robert. “Crip Eye for the
Normate Guy.” PMLA 120.2 (2005):
586-592. Print.
Winters, Kelley and Ehrbar. “Beyond
Conundrum: Strategies for Diagnostic Harm Reduction.”
Journal of Gay & Lesbian Mental Health 14 (2010): 130-138. Print.
Yes, yes, yes, yes, yes, yes, yes, yes, yes!!!!!!! I hope everyone has a chance to read this before class, and that we can include it in our conversation. This is exactly the project of Crip Theory--to resist normativity and insist on the validity, and potentially radical power, of liminal positionalities and embodiments--while not interfering with the accumulation of increased civil rights through the neoliberal model of activism and remediation. The project of, for instance, critiquing the domesticity of late capitalism from a crip/queer stance while still supporting the marriage equality movement. I'm so sorry that I wasn't able to attend this! Thank you for attending and sharing it with us!
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