Oddly, I seem to constantly find connections between the
material we’re reading in Modernism and the articles we read for Theory. While
I still haven’t figured out exactly
what Modernism is, I do know that one of the most common themes in modern
literature is alienation.
My connection this week comes from the following two
authors:
Theory: Victor Villanueva’s “On the Rhetoric and Precedents of Racism” (1999)
Modernism: Randolph Bourne’s “Trans-National America” (1916)
Some background on Bourne:
Bourne was a social critic who analyzed American culture and
life. Deformed at birth, he was always an outsider. Bourne was opposed to the forced
assimilation under the guise of patriotism during WWI. He wrote “Trans-National
America” as a rejection of this “war fever” (Molesworth 1956). This piece
criticizes the melting pot metaphor and suggests that immigrants should define
what “American” means, not the government.
Below are some of the concepts I connected to the two
authors.
(Although Villanueva discusses the danger of confusing the
terms ethnicity and race, Bourne seems to treat them interchangeably. I,
therefore, am going to treat my mentioning of the “other” as both the racial
and the ethnic other.)
On colonization:
·
Bourne suggests Americans cannot let go of their
homeland: “The truth is that no more tenacious cultural allegiance to the
mother country has been shown by any alien nation than by the ruling class of
Anglo-Saxon descendants in these American States. English snobberies, English
religion, English literacy styles, English literacy reverences and cannons,
English ethics, English superiorities, have been the cultural food that we have
drunk in from our mothers’ breasts” (1959).
·
Villanueva questions why academics and scholars
value European philosophies but fail to acknowledge (or study or teach or even
know about) other voices. He says “we must break from the colonial mindset and
learn from thinkers from our own hemisphere as well” (659).
On what the “other” offers:
·
Bourne on native cultures: “They are more
valuable and interesting to each other for being different…” (1965).
·
Villanueva suggests more journal publications should
publish people of color, suggesting that if these people write about racism, it
will encourage more “others” to join in both the conversation and our field.
Call to action:
·
Bourne
o States
multiple times that the younger generation needs to carry the idea
o An
intellectual sympathy could embrace cultural expression
o Accept
dual citizenship
o Give
voice to the other
o “It
must be a future America, on which all can unite, which pulls us irresistibly
toward it, as we understand each other more warmly” (1968).
·
Villanueva
o More
than giving voice to the “other” in publications
o “I
remain tied to the belief that we must break from the colonial discourse that
binds us all” (656).
Obviously this is a conversation that I cannot fully tackle,
nor can I offer groundbreaking ideas. I do have a few comments though:
I believe both authors would hate that I reference the “other”
so frequently, but I also think both understand that it is part of the problem
they present: the other is alienated because there is a white ruling class that
extends from the country’s founding (or, I should say, the whites who drove
away and killed the “others” that already lived here.) The problem seems to
have changed very little in one hundred years—the others are still a different
group of people than the rest of the country. We need to assimilate as one—not as
one “American” ideal—but as one group of people without the stigma of the “other.”
Despite Bourne’s disgust with the concept, I believe patriotism
is an important bond for the country’s citizens who must appreciate their
freedoms and ability to suggest change. So how can the concept of “American” be
changed to embrace these freedoms while valuing individual histories?
Perhaps changing the concept of patriotism to actually embrace the “melting pot” is a
start. On a professional level, what is valued in the academy and what is
canonized would also need to change. This, of course, would then alter
educational practices.
If Bourne thinks the younger generations can start this
change, what practices can instructors adopt in order to inspire this change?
How is this concept problematized when (1) looking at the rhetorical
competencies composition classes require or aim to achieve and (2) preparing
students for other writing experiences in the university?
Works Cited
Bourne. Photograph. Today’s Autonomedia Jubilee Saint—RANDOLPH BOURNE. Arthur Magazine Archive. Web. 7 May 2012.
Bourne, Randolph. "Trans-National America." The Heath Anthology of American Literature. Ed. Paul Lauter. 6th ed. Vol. D. Boston: Wadsworth, 2010. 1957-68. Print.
Molesworth, Charles. "Randolph Bourne 1886-1918." The Heath Anthology of American Literature. Ed. Paul Lauter. 6th ed. Vol. D. Boston: Wadsworth, 2010. 1955-57. Print.
Villanueva, Victor. "On the Rhetoric and Precedents of Racism." College Composition and Communication 50.4 (1999): 654-61. Print.
Ashley,
ReplyDeleteI really enjoyed reading this interesting comparison. I've never heard of this Bourne guy, and am tempted to make some "Bourne Identity puns". I'll spare you though.
As for your questions, I think it's tough because of the politics of disciplinary expectations. If we build acceptance within our discipline it doesn't necessarily pass on to other disciplines. For instance, critical scholars (that I've read) just wouldn't give patriotism and melting pot ideologies the time of day. Just this week I read a scholar who called patriotism a "collective neurosis". Be that as it may, perhaps space can be made to address your questions through memory and narrative as Villanueva presented in his Memoria article.
Bourne Identity...that made me laugh.
DeleteFrankly, I'm sick of the crap critical scholars pronounce as if they can speak on behalf of everyone. They are the least human people in academia. I mean, a "collective neurosis"? That's a bit bombastic.
I'm not quite sure what you mean by approaching it through memory and narrative. Have my students approach the topic that way? Or am I supposed to approach it that way?
And I guess memory and narrative could be a way to approach it, but it's certainly not taken as seriously in academia. Right? Villanueva can only do it because he's Villanueva.
*bitterness ends*
Thanks for responding!